Wirecast Gear also comes with NewBlueFX Titler Live, which is a fabulous plugin. This lack of options is a little unique in the live production video market where many products are built a-la-carte. The 220 model features 2 TB of storage-closer to 40 hours of HD video. You only need to answer two questions: “What input type do you need?” (HDMI or SDI) and “How much storage do you want?” The unit I tested had 250 GB of storage, which amounts to about five hours of HD video. Much like In-N-Out Burger, there are not a lot of options to choose from. Telestream also did a great job of keeping a laser focus on its product. The Wirecast Gear 110 I demo'd went from off and cold to program open in well under 10 seconds, so the computer is no slouch. This could substantially speed up some design, build, and delivery workflows. The Wirecast Gear is a fully functional Windows 10 computer, so it can handle running your NLE or graphic editing software, as well. This keeps the main processor from doing quite so much of the heavy lifting, which should make the whole system a little more stable. In the newer version of Wirecast, the company off loaded a lot of the processing from the CPU by utilizing GPU acceleration. It also features rack ears and can be mounted to the front as well as to the rear with optional rear rail ears. As a result, this computer is road ready. In fact, the only moving part is the fan. When a software company builds a computer to run their product and markets it as a turnkey system, it better function seamlessly. This is something you typically only see on very large production switchers. When selecting a shot containing multiple cameras, the Wirecast Gear automatically scales and positions the picture-in-picture smoothly from the previous location to the next location. One of the first things that caught my attention when testing this feature was how seamlessly it worked. This means you can set up custom looks well ahead of time and then easily apply them to your show live. You can also utilize layers to add graphics or custom picture-in-picture layouts. From the user standpoint, the software is easy to use just select your shot and transition it to live. It also has Wirecast 7 Pro installed, reported to be the most feature-rich streaming software on the market. There is almost no limitation on the input type beyond the capture card because Wirecast 7 will take inputs from anywhere, including screen capture, webstream, and Twitter feeds.įor this review, I used the Wirecast Gear 110, which features four HDMI inputs for video sources. This isolated input record can be any video input coming through the capture card. As an additional feature, Wirecast 7 Pro can also record a local ISO. It will also locally record the program output as either an MOV, MP4, or Windows Media format. It comes with preset outputs for all the standard streaming companies, plus a few I didn't expect, like Facebook Live and YouTube. Wirecast Gear is designed to be a streaming production tool. It's a turnkey system built from the ground up and optimized to run Wirecast. The number of video cards on the market is enough to give even the most seasoned pro decision paralysis, which is why Wirecast has introduced Wirecast Gear. It's even worse once you get into the video capture side of the build. It's a real pain to get all of that done right. However, if you have ever built a computer from scratch, you know the pains of getting hardware that plays well together, getting it all integrated, and ensuring that it meets the system specs for the applications you are going to be running. Wirecast is also robust enough that with the proper hardware, it could handle all the live production, as well. One of the interesting things about the company's software is that it's pretty much hardware-agnostic with the right capture card, almost any camera or device could be utilized. Telestream has been an industry leader in the field of streaming for some time.
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